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Judging
Guidelines
Judges
Outline |
Bodybuilding |
Figure

RESPONSIBILITIES OF AN
NGA
JUDGE
The duties and responsibilities
of being a judge of a
bodybuilding competition can not
be taken lightly. Competitors
work extremely hard to prepare
for contests, harder than
athletes in most other sports,
and deserve to be judged as
thoroughly and equitably as
possible. While a judge brings
all of his worldly experiences
and emotions to the table with
him, these must be kept in check
to insure that his/her
placements are the result of
objective analysis as opposed to
subjective opinions. The judging
criteria must be rigidly
followed while all attempts
should be made to avoid the
common tendencies which can
compromise accurate judging. In
addition, judges must be
accountable for their decisions
and accessible to the athletes.
Judges must also maintain a
level of accuracy deemed
appropriate by the NGA as well
as conduct characterized by
professionalism and dedication.
The goal of the NGA is to crown
the finest bodybuilding athlete,
without respect to size or
reputation. Careful attention
must be made to muscle quality,
muscle separation and
striations, symmetry
(correct proportion), vascularity,
absence of visible body fat,
posing ability, and
overall presentation and stage presence.
While "ripped" competitors are
desirable, "emaciated
(anorexic-looking) competitors
are not. Lean shape should be
accompanied by quality
muscularity. Furthermore,
bodybuilders should also be
judged on their ability to
follow directions and act
professionally (e.g.: hitting
poses when commanded to do so,
etc.).
Prejudging (day show)
Relaxed poses from front, left
side, rear, and right side.
Competitors should be
semi-flexed, not aggressively
posing. The feet should remain
flat on the floor and the body
and head facing stage left and
stage right for the side shots.
One minute of individual free
posing (optional). Should be
omitted in shows with a large
quantity of competitors.
Athletes will be called in
groups of three to six to stage
front for Mandatory Pose
comparisons. The following
mandatory poses shall be used by
judging panels associated with
the NGA.
These poses should be
presented such that the judge
may make a clear determination
of comparisons, with contestants
not turning from side-to-side
(unless instructed). Contestants
must hit the pose and relax on
the command of the Head Judge,
or he/she will be penalized with
lower placement for not
following instructions.
The poses are:
-
Front Double Biceps
Contestant should stand on
two feet and have upper arms
out to the sides parallel to
the floor, with elbows bent
at approximately 90-degrees
with forearms parallel to
torso. Legs, lats, chest,
abdominals, and arms should
be flexed.
-
Side Chest Pose
Contestant should stand on
foot farthest from the stage
with front leg bent to show
the calf and leg biceps. The
front arm should be bent at
approximately 90-degrees
with the rear hand gripping
at the wrist. The chest
should be lifted and the
abdominals pulled in
tightly. The competitor may
pick a side of choice to
display to the judges unless
told otherwise.
-
Side Triceps Pose
Contestant should stand in
leg position similar to side
chest pose, with the frontal
arm hanging alongside the
body, grasped at the waist
by the rear hand from around
the lower back. The triceps
should be tightened,
shoulders, chest and
abdominals flexed, and the
legs and calves tight. The
side of choice may be
displayed unless instructed
otherwise.
-
Rear Double Biceps
This pose is exactly as the
frontal version except that
the contestant must bring
the leg of choice toward the
judges and "spike" the foot
to show calf and leg biceps
development. Contestants
should not lean excessively
toward the rear of the
stage, nor lean backwards
too far toward the judges.
-
Rear Lat Spread
Contestant should face stage
rear with calf of choice
"spiked" toward the judges,
and grasp the waist with
closed hands and spread
elbows to flare latissimus.
Hamstrings and glutes should
be flexed, with emphasis on
showing judges the width of
the back (V-shape) as well
as detail in the lats, teres
major, rhomboids and
trapezius, erectors and rear
deltoids.
-
Overhead Abdominal Pose
The contestant must stand
facing the judges with one
leg extended slightly
forward, and with hands
clasped behind the neck. The
abdominals must be fully
flexed, with air expelled,
with the legs and chest also
tight. One-arm variations of
the abdominal pose are
PROHIBITED unless instructed
by the Head Judge.
-
Most Muscular Pose
This pose will be required
only for the men. The
contestant must stand with
one leg slightly extended
toward the judges, and
assume a favorite of the
following most muscular
poses. Either the "crab",
hands-on-hips or partial
crab (with one hand behind
back) variations may be
used. Side most muscular
poses are not permitted
unless instructed by the
Head Judge.
-
Optional Poses
The judging panel may
request additional poses
depending on necessity.
These may include Side
Hamstring Curl,
Stand-On-Calves Pose,
Serratus Side Pose, etc.
Finals (Evening Show)
-
Presentation of the
line-ups (should be
omitted for classes of
five or less);
-
Posing routine to music
(ninety second limit) -
may be judged in amateur
competitions;
-
Announcement of the top
five per class;
-
Posedown (class);
-
Presentation of class
awards;
-
Symmetry and muscularity
comparisons for class
winners (judged);
-
Posedown (overall); and
-
Presentation of overall
awards.
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